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Gravelly
Run
By A. R. Ammons I don't know somehow it seems sufficient to see and hear whatever coming and going is, losing the self to the victory of stones and trees, of bending, sand pit lakes, crescent round groves of dwarf pine; for it is not so much to know the self as to know it as it is known by galaxy and cedar cone, as if birth had never found it and death could never end it: the swamp's slow water comes down Gravelly Run fanning the long, stone-held algal hair and narrowing roils between the shoulders of the highway bridge: holly grows on the banks in the woods there, and the cedar's gothic-clustered spires could make green religion in winter bones: so I look and reflect, but the air's glass jail seals each thing in its entity: no use to make any philosphies here: I see no god in the holly, hear no song from the snowbroken weeds: Hegel is not the winter yellow in the pines: the sunlight has never heard of trees: surrendered self among unwelcoming forms: stranger, hoist your burdens, get on down the road --- Still By A. R. Ammons ---I said I will find what is lowly Close-Up By A. R. Ammons Are all these stones yours I said and the mountain pleased but reluctant to admit my praise could move it much shook a little and rained a windrow ring of stones to show that it was so Stonefelled I got up addled with dust and shook myself without much consequence Obviously I said it doesn't pay to get too close up to greatness and the mountain friendless wept and said it couldn't help itself --- Play By A. R. Ammons Nothing's going to become of anyone except death: therefore: it's okay to yearn too high: the grave accommodates swell rambunctiousness & ruin's not compromised by magnificence: the cut-off point liberates us to the common disaster: so pick a perch -- apple bough for example in bloom -- tune up and if you like drill imagination right through necessity: it's all right: it's been taken care of: is allowed, considering --- Strolls By A. R. Ammons The brook gives me sparkles plenty, an abundance, but asks nothing of me: snow thickets and scrawny snowwork of hedgerows, still gold weeds, and snow-bent cedar gatherings provide feasts of disposition (figure, color, weight, proportion) and require nothing of me, not even that I notice: the near-winter quartermoon sliding high almost into color at four-thirty -- the abundance of clarity along the rose ridge line! alone, I'm not alone: a standoffishness and reasonableness in things finds me or I find that in them: sand, fall, furrow, bluff -- things one, speaking things not words, would have found to say ---- Called into Play By A. R. Ammons ---Fall fell: so that's it for the leaf poetry: The City Limits By A. R. Ammons ---When you consider the radiance, that it does not withhold An Improvisation for Angular Momentum By A. R. Ammons Walking is like imagination, a single step dissolves the circle into motion; the eye here and there rests on a leaf, gap, or ledge, everything flowing except where sight touches seen: stop, though, and reality snaps back in, locked hard, forms sharply themselves, bushbank, dentree, phoneline, definite, fixed, the self, too, then caught real, clouds and wind melting into their directions, breaking around and over, down and out, motions profound, alive, musical! Perhaps the death mother like the birth mother does not desert us but comes to tend and produce us, to make room for us and bear us tenderly, considerately, through the gates, to see us through, to ease our pains, quell our cries, to hover over and nestle us, to deliver us into the greatest, most enduring peace, all the way past the bother of recollection, beyond the finework of frailty, the mishmash house of the coming & going, creation's fringes, the eddies and curlicues --- He Held Radical LightEaster Morning By A. R. Ammons I have a life that did not become, Author's
Bio:
![]() A. R. Ammons (1926 - 2001)
Archie Randolph Ammons was born on February 18, 1926, on his family’s small farm near Whiteville and later moved to Chadburn. It was a hardscrabble life and growing up in the country during the Great Depression gave him, as one critic observed, "not only an intimate acquaintance with nature but also a keen sense of the precarious nature of existence." His early years on a tobacco and cotton farm provided the pastoral setting for some of his most memorable work, as well as the inspiration for poems about mules, hog-killings, hunting, and farmlands. Ammons started writing poetry during the long hours aboard a Navy destroyer escort in the South Pacific. After World War II, he attended Wake Forest University, where his interest in science would influence the unique diction of his poetical style. After a few months of graduate school, he became principal of Hatteras Elementary School and absorbed the sights and sounds of the Outer Banks for a year. He also worked jobs as a real estate salesman, an editor, and an executive in a glass manufacturing firm before he began teaching at Cornell University in 1964. Ammons has been described as a major American poet in the tradition of Ralph Waldo Emerson and Walt Whitman. Generally opting for free forms, he has been concerned with man’s relationship to nature, the problems of identity, permanence and change, and the processes of nature. His whimsically formatted Tape for the Turn of the Year was originally written on a roll of adding machine tape in the form of a journal covering the period December 6, 1963, to January 10, 1964. Many think his Expressions at Sea Level, Corsons Inlet: A Book of Poems among his best work. A two-time winner of the National Book Award, plus the Bollingen Prize and the National Book Critics Circle Award for Poetry, Ammons published nearly thirty volumes of poetry, including Glare (1997), Garbage (1993), A Coast of Trees (1981), Sphere (1974), and Collected Poems 1951-1971 (1972). His many honors included the American Academy of American Poets’ 1998 Tanning Prize, the Poetry Society of America’s Robert Frost Medal and the Ruth Lilly Prize, as well as fellowships from the Guggenheim Foundation, the MacArthur Foundation and the American Academy of Arts and Letters. His last book, Glare, was praised for its "riveting,
iconoclastic freshness" by the judges who awarded him the $100,000
Tanning Prize. Despite his many accomplishments, upon learning of this
singular Academy honor, Ammons cast his mind back to his early years as
a struggling poet. "I greatly appreciate the recognition," he told an
interviewer. "It rings back to the earliest days when there was no
recognition or support—and it means a lot to hear those bells." The
poet lived with his wife, Phyllis, in Ithaca, New York, where he was
Goldwin Smith Professor Emeritus of Poetry at Cornell. Source: http://www.ncwriters.org/arammons.htm |